In light of the New Year (and because I feel like taking a break from studying for the GRE) I thought I'd post a list of my top 10 favorite songs of 2011. I've decided to limit this list to only songs that were actually released in 2011, because if I didn't I'd never be able to pick just 10.
So, here they are. These are the songs released in 2011 that either (a) I couldn't stop listening to, (b) meant something significant to me, or (c) both. I'm limiting myself to one song per artist.
"[The ordinary man] has permitted the twilight. He has always had one foot in earth and the other in fairyland." - G.K. Chesterton
Showing posts with label Needtobreathe. Show all posts
Showing posts with label Needtobreathe. Show all posts
Tuesday, January 10, 2012
My Top 10 Songs of 2011
Labels:
Active Child,
Fleet Foxes,
Gotye,
Gungor,
Josh Garrels,
M83,
Needtobreathe,
Paul Simon,
Stephen Kellogg and the Sixers,
The Civil Wars,
Top songs of 2011
Wednesday, October 5, 2011
I Wish I Wrote Reviews For a Magazine
I like music. My ears consume it as if my hearing depends on it.
Here's what I've been listening to as of late...
Needtobreathe's new album is probably the best thing they've done, and that's high praise for a band of their caliber. I was skeptical when I started listening to the first track - "Oohs and Aahs" is kind of jazzy and grating - definitely not as instantly ear-catching as their previous album opener, "The Outsiders." Just when I was about to dismiss the track as a weak intro, acapella gang vocals appeared and I was sold. By the time screeching brass entered the fray, the song had reached the "I-think-I'm-going-to-need-to-hit-repeat-when-this-is-over" category.
But I didn't end up doing that, because the bouncy acoustic-riff that started the following track, "White Fences" was so immediately absorbing I couldn't go back. White Fences and the track that follows it, "Drive All Night," are just top-notch. Lead vocalist Bear Rinehart has never sounded better. His voice is strong, gritty, and filled with longing - a perfect match for the melodies his band supplies. White Fences is an especially good example of the album's great mix: loud and punchy percussion and vocals hovering on the verge of distortion. Also, one of Needtobreathe's strengths has always been their soulful background vocals, and this album uses them to great effect.
But I didn't end up doing that, because the bouncy acoustic-riff that started the following track, "White Fences" was so immediately absorbing I couldn't go back. White Fences and the track that follows it, "Drive All Night," are just top-notch. Lead vocalist Bear Rinehart has never sounded better. His voice is strong, gritty, and filled with longing - a perfect match for the melodies his band supplies. White Fences is an especially good example of the album's great mix: loud and punchy percussion and vocals hovering on the verge of distortion. Also, one of Needtobreathe's strengths has always been their soulful background vocals, and this album uses them to great effect.
Labels:
Graceland,
Michael Card,
Music Reviews,
Needtobreathe,
Paul Simon,
The Final Word,
The Reckoning
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